Outland Seattle & YES Music Productions Present: Rabbit Junk

Outland Seattle and YES Music Productions present:
A Cyberpunk Collaboration featuring -
Rabbit Junk
+ special guests
Amelia Arsenic
MHYMiR
DJs Sophixi & Keypr
July 11, 2026
Doors 8pm | Show 9pm
$20 adv | $25 dos
21+
Funhouse
109 Eastlake Ave E
Seattle, WA 98109
Adv tickets: app.opendate.io/e/yes-music-productions-and-club-outland-present-rabbit-junk-july-11-2026-711732
**RABBIT JUNK** (Seattle, WA)
Forged in the industrial crucible of Seattle in 2004, Rabbit Junk stands as a fiercely independent and genre-defying force in modern heavy music. The duo, comprised of multi-instrumentalist J.P. Anderson and vocalist Jennifer "Sum Grrrl" Bernert, has carved out a unique niche by masterfully blending digital hardcore, industrial metal, and electropunk with an array of influences ranging from hip-hop and dubstep to black metal and synthwave.
Rabbit Junk's journey began with their self-titled debut in 2004, initially a demo that quickly gained underground traction for its raw energy and distinctive male/female vocal dynamics, reminiscent of acts like Atari Teenage Riot. This initial success, including a rare 9/10 review from Metal Hammer Magazine, propelled them forward. Their 2006 sophomore effort, REframe, solidified their reputation for innovative sampling and genre fusion, with tracks like "Demons" famously incorporating a sample from John Williams' "Duel of the Fates." REframe expanded their fanbase across the US and Europe, showcasing their signature blend of tremolo-picked guitars, black metal tones, and raucous breakbeats. The band's commitment to pushing boundaries was further exemplified in their 2008 release, This Life Is Where You Get Fucked, an ambitious album divided into three conceptual suites exploring diverse themes and musical styles. This was followed by Project Nonagon in 2010, another multi-part release that continued to refine their vision. While initially releasing full-length albums, Rabbit Junk embraced a more agile approach in the 2010s, focusing on a steady stream of EPs and singles, including Pop That Pretty Thirty (2014) and Invasion (2015), maintaining a consistent evolution of their sound. However, 2018 marked a triumphant return to the LP format with Rabbit Junk Will Die: Meditations on Mortality. This album was hailed as their most experimental and perhaps best work yet, a testament to their continued growth and willingness to integrate new elements while retaining their core identity. More recently, their 2022 album Apocalypse for Beginners reached #1 on Bandcamp's metal chart and #2 overall, a significant achievement for a 100% independent band. Rabbit Junk's influences are a rich tapestry. J.P. Anderson has cited Japanese acts like The Mad Capsule Markets as a profound inspiration, praising their genre-bending approach. Other discernible influences include classic industrial bands like Skinny Puppy and Nitzer Ebb, the aggressive electronic punk of Atari Teenage Riot, and even subtle nods to hip-hop (sampling N.W.A on their debut) and classic rock (a unique cover of The Police's "Walking on the Moon"). Their ability to weave in everything from retro synthwave aesthetics to drum & bass rhythms and even unexpected bluesy or orchestral elements showcases a deep appreciation for diverse musical landscapes.