Old 97's at Revolution Hall

TICKETS
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On Sale: Friday, March 6 at 10am PT
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The thirteenth studio album from Old 97’s, American Primitive arose from what vocalist/guitarist Rhett Miller refers to as a “de-evolution” of the legendary Dallas-bred band. “As much as I want us to calm down and grow up, the songs that felt right for this record were mostly big and loud and brutal and dirty,” says Miller, whose bandmates include bassist Murry Hammond, guitarist Ken Bethea, and drummer Philip Peeples. Arriving just months before the 30th anniversary of Hitchhike to Rhome—a powerhouse debut that played a vital part in pioneering the alt-country genre—the result is a gloriously rowdy body of work, revealing a veteran band more attuned than ever to the raw and reckless energy of truly timeless rock-and-roll.
With its title lifted from a bit of fictional art criticism in Stephen King’s psych-horror novel Duma Key, American Primitive merges its unvarnished sound with the punchy yet poignant storytelling signature to Old 97’s, radiating a rambunctious joy even as Miller’s lyrics contend with complex questions of love and mental illness and the routinely daunting state of the world. Produced by Tucker Martine (My Morning Jacket, The Decemberists, Neko Case) and featuring iconic guest musicians like Peter Buck of R.E.M. and Scott McCaughey of The Young Fresh Fellows and The Minus 5, the album took shape in a series of deliberately whirlwind sessions at Flora Studio in Portland, Oregon. “This was the first record we’ve ever done with zero pre-production,” Miller points out. “It’s us working completely on instinct, leaning on 30 years of playing together to come up with something on the fly rather than overthinking any of our choices.”
In choosing the cover art for American Primitive, Old 97’s selected a painting created by Hammond’s 17-year-old son Tex Hammond—a prodigious talent who, at age 14, became the youngest artist ever to exhibit at the prestigious LA Art Show. It’s a fitting choice for a band who’ve maintained a certain youthful exuberance more than three decades into their career, and for an album in which a palpable sense of wonder prevails despite its world-weary undercurrent. “Over the last year of touring in celebration of our 30th anniversary, it’s been impossible not feel some emotion welling up at the idea that my bandmates and I have been in this close brotherhood for so long,” says Miller. “I think a lot of that longevity has to do with the fact that we’re really the same band we were back then. We’ve experimented with pushing in different directions, and we’ve had experiences outside the band where we’ve learned new things, but the way we approach this music has fundamentally remained the same. Our heart is still in the exact same place.”