Spyglass / Dandelioness / Halley Gregg / Old Man of the Woods

The Rabbit Box presents Spyglass / Dandelioness / Halley Gregg / Old Man of the Woods
Wednesday, Aug. 12th // Doors 6:30pm // Show 7:30pm
GA Seated $15 adv. / $20 door: tickets.venuepilot.com/e/spyglass-dandelioness-halley-gregg-old-man-of-the-woods-2026-08-12-the-rabbit-box-theatre-seattle-5de736 * taxes & fees will be applied at point of purchase
Spyglass is a Seattle-based alternative rock project created by Louisiana born singer/songwriter Kaitlin Montero. Formed in 2014 in Lafayette, Louisiana, Kaitlin used music to cope with the trials and tribulations (as well as celebrate the joys and wonders) of growing up in the Deep South. After relocating to Seattle in 2021, Kaitlin reunited Spyglass with a renewed spirit, enlisting a close-knit group of friends and talented musicians to bring new life to the project. With songs born from earnest hearts, Spyglass exists to provide sonic experiences for the tenderhearted.
Arkansas-based Dandelioness is known for her radioactive falsetto, visceral performances, and the strange, hypnotic spell she casts on every room she steps into. Equal parts bohemian goth, cosmic diarist, and mischievous shadow-work guide, she turns rock clubs into listening rooms and listening rooms into portals. Onstage, Dandelioness growls, croons, or levitates in falsetto; she treats the act of performing like reading pages from her diary to a room full of strangers. The sound is a shimmering collision of fingerstyle folk guitar, infectious pop sensibilities, glittering vocoder, and the lingering southern drawl she inherited secondhand. Ethereal at first blush, her music hides a dark countercurrent: sex, death, kink, psychedelia, devils, and blush-inducing confessions wrapped in metaphor and delivered with a wink.
Seattle singer-songwriter Halley Greg first rose to acclaim during the blind auditions on Season 20 of The Voice. Her appearance on the show coincided with the release of her debut album, American Harlot, a feminist rebranding of the pop/rock albums of the early 2000s. Filled with distorted guitar solos and pithy pop vocal melodies, the album is an ode to angry women everywhere. The first line from the title track exemplifies Greg’s brand of sultry, cutthroat sass: “Welcome home dear / Take off your shoes / I’ll massage your feet and your ego, too.” Greg’s pure and ethereal voice cuts through raucous guitar riffs, while her lyrics are so thick with social critique they’re almost punk. Think the clarity of Regina Spektor, the attitude of No Doubt, and the arrangements of Paramore.