Natalie Brooke

Natalie Brooke
Wednesday, July 15th, 2026
Charleston Pour House | Main Stage
9:00PM Doors / 10:00PM Show
$12 Advance / $15 Day of Show
$10 with Reckoning (DOTD) Wristband
Natalie Brooke
Natalie Brooke is a rock star.  A virtuoso funk / rock keys player leading her powerhouse 4-piece band from the Baltimore area.  The explosive act is fronted by Natalie on keys, synth, keytar, and vocals and backed by drummer Nathan Shulkin, Nester on the bass, and Luke Walker on the guitar.
She kicks off every show with a punch and never lets the energy drop – audiences move, dance, scream, jump, and ride the wild wave of the set with her and the band.  Natalie’s music was once said to be a mashup of Rick James and Rush.  She has an undeniably infectious vibe featuring a fiery blend of fast tempos and sloshy rock elements balanced with her transcendent jazz and classical roots.  Natalie brings an exceptionally unique approach to the keyboard that is equally percussive and melodic that lights up the show with every electrifying note she plays.  She is on a meteoric rise, frequently sharing the stage with pillars of the rock, funk, and jazz scenes.  Pigeons Playing Ping Pong, Andy Frasco & the UN, Big Something, Cris Jacobs,  Doom Flamingo, Sunsquabi, lespecial, and the Magic Beans are a few of the artists Natalie has played with recently.
Natalie’s artistry thrives in the space between vulnerability and fire. With her new full-length album, Measured in Moments, arriving October 10, 2025 the Maryland-based pianist, vocalist, and bandleader reveals her most fearless work yet.  A bold, expansive statement that charts her path from quiet, ear-trained prodigy to commanding frontwoman, composer, and collaborator.
The album’s opening singles offer two distinct windows into her evolving sound. “Sometimes” featuring Cris Jacobs, released September 9, 2025 is a groove-forward meditation on life’s dualities.  Led by her soulful vocals and anchored by the lyric: “sometimes change is what I am, sometimes I’m better off running.”  The track builds in intensity, slipping into a jazz-soaked breakdown before she unleashes a fiery organ solo. Baltimore rock luminary Cris Jacobs answers with a spellbinding improvisation of his own, pushing the song into uncharted terrain.
“Hands” takes a decidedly different route.  An urgent jazz-fusion composition that rides a staccato motif into a soaring chorus that is both sultry and celebratory, the track embodies Natalie’s invitation to the dance floor, complete with tension-building bridges and moments of release that capture her instinct for drama and motion.